Abstract

“It may be thought that I am prejudiced. Perhaps I am. I would be ashamed of myself if I were not.” 1 When Mark Twain undertook correspondence for San Francisco’s Alta California on a $1250 trip to Europe and the Holy Land in 1867 he had an established reputation as a humorist and was on the cusp of making the transition from journalist to author. Innocents Abroad, “an unvarnished tale” 2 published in 1869 and sewn together with questionable regard for coherence or thematic consistency, sold thirty-one thousand copies in one year. Only Uncle Tom’s Cabin had done better, as Twain himself noted. What made his work such a success? “This book is the record of a pleasure trip” , Twain declared, yet there had already been innumerable pleasure trips and by more established authors than he. The multiplicity and seemingly contradictory narrative stances in Innocents makes any essentialist reading hard to establish and what one stance purports is as likely and easy to prove as any other. In the main though, two bodies of criticism have prevailed hitherto, one seeing the text as flawed by internal discontinuities, the other perceiving that disjointed narration need not preclude a unified authorial consciousness. It is my contention that Twain most likely wrote with at least five entirely separate purposes in mind, none of which coexisted simultaneously: i. The profit, reputation and contractual fulfilment to be had in writing c. 1500 words to newspapers daily. ii. The demonstrable acquisition of high society vocabulary and cultural regard commended by Mrs. Fairbanks and Olivia Langdom. iii. An arrant attack upon Presbyterianism. iv. A break with the codified genre of travel writing. v. The promotion of Twain as healer of a wounded nation. Point v) has gone largely neglected by critics. Yet Twain’s role as a unifier in post Civil-War society, as projector of national identity abroad for the benefit of domestic patriotism, and as healer of war-torn America is a cornerstone to our understanding Innocents. As shall be seen, shades of mental/national injury coexist in the text, alongside a humorous denigration of foreigners. The resultant implied superiority of America and Americans, notwithstanding Twain’s passing jabs at them and in spite of their bloody internecine conflict, is what I term “imperial therapy.”