Abstract

We have met in this conference to discuss “critical pluralism.” It will be a conference or discussion if the participants present different conceptions of critical pluralism based on different conceptions of criticism. Pluralism will enter the discussion in two ways: in the plurality of statements, which will be easy to recognize, and in the plurality or identity of what the statements are about, which will be problematic. There are three possible conclusions to which the discussion may lead. Some of the participants may argue that only one of the opposed statements is about criticism and that the others may be about the work, but do not treat it as a literary work; these participants may so deny the possibility of critical pluralism. Some may present different modes of critical interpretation of a literary work and argue that they are different interpretations of the same work; these participants may recognize no need to differentiate different aspects in the work to which they interpretations are relevant. Finally, some may argue that the different modes of criticism apply to different aspects of the work which should be named differently and be treated by different methods, and which should be considered distinct objects of interpretation.The variety of critical methods and the variety of objects to which those methods can be applied are apparent when the reflexive relations between the pluralism of the interpretation of books and the pluralism of the circumstances and the matters that condition and constitute books are examined in a paradigm of possible forms and matters related to each other paradoxically. Many of the recurrent pairs of terms joined and differentiated in the literature of criticism are related paradoxically. Richard McKeon was the editor of The Basic Works of Aristotle, coeditor of Peter Abailard, Sic et Non: A Critical Edition, and author of Thought, Action, and Passion. His previous contributions to Critical Inquiry are “Arts of Invention and Arts of Memory: Creation and Criticism” , “Canonic Books and Prohibited Books: Orthodoxy and Heresy in Religion and Culture” , and “Pride and Prejudice: Thought, Character, Argument, and Plot”