Abstract

What is the significance of diverse writing styles in contemporary Continental thought? I take Maurice Merleau-Ponty's latest texts and Friedrich Nietzsche's philosophical autobiography as exemplary, demonstrating the primacy of stylistic linguistic expression for their philosophically self-reflective tasks. I situate this primacy historically, by discussing in successive chapters the Aristotelian and Husserlian presuppositional legacies that are strategically countered by their writing styles. I draw on the contemporary dialogue of literary theory and literary hermeneutics to develop an interpretive understanding of the critical place of reading in its relation to the kind of philosophical prose discussed. I apply these insights to an interpretive reading of Luce Irigaray's feminist texts