Abstract

Schiller’s importance for the Romantic generation is discussed in relation to three writers and thinkers whose work arose in close connection—and by no means always consonance—with Schiller’s thought. The authors discussed—Friedrich Hölderlin, Heinrich von Kleist, and Johann Wolfgang Goethe—were writers of a broadly Romantic disposition who, nevertheless, often stood apart from the Romantic mainstream. Of the three, Hölderlin and Kleist give prominence to philosophical concerns, absorbing key influences from Kant as well as Schiller. Goethe, by contrast, drew writerly influences from Schiller rather than philosophical ones, though it is also true that his acceptance of a philosophical objection Schiller had raised brought about the literary experiment that was to achieve fabled significance in German letters under the heading of Weimar Classicism.