Abstract

Friedrich Hölderlin's 1802 “Patmos” poetically answers a theological challenge. Dedicated to the Landgraf von Homburg, it responds unsolicited to the count's call for a poem that might counter contemporary Biblical exegesis, originally addressed to Friedrich Gottlieb Klopstock. And indeed, a poetic refutation could hardly be more appropriate, when it comes to Enlightenment theologians : One of the most scandalous texts of the era, Hermann Samuel Reimarus' fragment, “Über die - XVIIIe siècle – Nouvel article