Abstract

Previous chapter During the 1900s and the 1910s, rhythm became the subject of fierce debate between the German and Austrian schools of art history. Georg Vasold has made a useful presentation of this controversy. Beyond the academic and national competition, it first involved two opposite conceptions of aesthetics: the first based on corporal experience, mobile vision, and time; the second on optic perception, distant sight, and space. It also opposed two views on economic, social, - Esthétique – Nouvel article