Abstract

Our sense of culture is characteristically meant to displace race, but part of the argument of this essay has been that culture has turned out to be a way of continuing rather than repudiating racial thought. It is only the appeal to race that makes culture an object of affect and that gives notions like losing our culture, preserving it, stealing someone else’s culture, restoring people’s culture to them, and so on, their pathos. Our race identifies the culture to which we have a right, a right that may be violated or defended, repudiated or recovered. Race transforms people who learn to do what we do into the thieves of our culture and people who teach us to do what they do into the destroyers of our culture; it makes assimilation into a kind of betrayal and the refusal to assimilate into a form of heroism. Without race, losing our culture can mean no more than doing things differently from the way we now do them and preserving our culture can mean no more than doing things the same—the melodrama of assimilation disappears.41 If, of course, doing things differently turns out to mean doing them worse, then the change will seem regrettable. But it’s not the loss of our culture that will make it regrettable; it’s the fact that the culture that will then be ours will be worse than the culture that used to be ours. It is, of course, always possible and often likely that things will get worse; abandoning our idea of culture, however, will not make them worse. Walter Benn Michaels is professor of English and the humanities at The Johns Hopkins University. He is the author of The Gold Standard and the Logic of Naturalism and of a monograph on American literature in the Progressive period, forthcoming in the Cambridge History of American Literature. His previous contributions to Critical Inquiry include “Against Theory” and ”Against Theory 2,” both written in collaboration with Steven Knapp