Abstract

In lieu of an abstract, here is a brief excerpt of the content:A Far-Future Paleontology: The Baffling Case of Brunaspis enigmaticaAnne-Sophie Milon (bio) and Jan Zalasiewicz (bio)Paleontologists, for more than two centuries, have studied and debated the petrified remains of plants and animals that have evolved over the past three billion years on Earth. They have argued over the grand concepts that they reveal, such as biological evolution and climate change, and also the many specific questions thrown up by these relics: was such-and-such a shell, a mollusk, or an arthropod? Did this fossil fish live high up in the water, among the plankton, or grub in the mud on the sea floor?These studies have for many paleontologists been a blessedly human-free zone, detached from the busy realities of our everyday lives. The science of paleontology, though, is simply one obscure part of a burgeoning and rapidly evolving technosphere that underpins our lives, and that is now evolving millions of new kinds of fossils—technofossils—far more rapidly than ever happened in biological evolution. Many of these objects will, quite certainly, become part of Earth’s future fossil record.If such an endeavor as paleontology were ever to arise again, in a distant post-human future, how would its practitioners deal with these bizarre relics?We provide a preview, on the following pages, of just one such enigma, and how it may be resolved (or not) by our puzzled disciplinary descendants. [End Page 31] Click for larger view View full resolution[End Page 32] Click for larger view View full resolution[End Page 33] Click for larger view View full resolution[End Page 34] Click for larger view View full resolution[End Page 35] Click for larger view View full resolution[End Page 36] Click for larger view View full resolution[End Page 37] Click for larger view View full resolution[End Page 38] Click for larger view View full resolution[End Page 39] Click for larger view View full resolution[End Page 40] Click for larger view View full resolution[End Page 41] Click for larger view View full resolution[End Page 42] Click for larger view View full resolution[End Page 43] Click for larger view View full resolution[End Page 44]Anne-Sophie Milon Anne-Sophie Milon is an artist-researcher who applies her illustration skills (HEAR, Strasbourg, France, 2010) and 2D traditional animation (UWE, Bristol, UK, 2012) to political arts (SPEAP, Sciences Po, 2015) and science and technology studies (HSTS, EHESS, 2022). For the past ten years, she has translated geological narratives–and ordinary ones for Earth sciences–into extraordinary plots for the uninitiated, including the humanities. She is currently working with Jan Zalasiewicz on a play, The Petrified Museum (2024), based on the British Geological Survey (Keyworth, UK), and on a PhD project in science and technology studies looking at limestones’ agencies in extractive industry practices (2025). She regularly collaborates with researchers from the Anthropocene Working Group: The Cosmic Oasis (Oxford University Press, 2022), “The Victims of Carbon Dioxide are Starting to Appear” in Feral Atlas (2021), and The Epochs of Nature (University of Chicago Press, 2016).Jan Zalasiewicz Jan Zalasiewicz is Emeritus Professor of Paleobiology at the University of Leicester. He was formerly a field geologist and paleontologist with the British Geological Survey, involved in the geological mapping of eastern England and central Wales. His interests include Early Paleozoic fossils, notably the graptolites (a kind of extinct zooplankton), mud and mudrocks, the Quaternary Ice Ages, the nature of geological time, and the geology made by humans. In recent years, he has helped develop the concept of an Anthropocene epoch. He enjoys writing popular science articles and books, and being involved in art/science projects.Copyright © 2023 Johns Hopkins University Press and SubStance, Inc...