Abstract

Within Luis Buñuel's classic surrealist film The Exterminating Angel is a philosophical motif which expresses, demonstrates, and develops two of Ludwig Wittgenstein's central concepts: language lays traps for the unwary that can lead to illogical thought and mind-bending quests; and any picture of the world is formed through cultural habits that cannot be rationally expressed but can be changed. This article argues that what we find in Buñuel's Angel is a “picture” that is at one level rational and habitual and at another entirely absurd. These apparently rational preconceptions – the insular habits of privilege and the language that maintains it – produce a certain “aspect” which, when clung to, can entrap us. In this effort we thread a series of chance meetings into a web of encounters: of people at a dinner party, of a philosopher and a filmmaker, and perhaps most significantly, of games that form a totality of gamesmanship – a chance meeting of the game...