Abstract

I argue that Meister Eckhart's distinctive use of language in his German sermons deliberately reflects his theological view. Instead of being straightforward statements of doctrine, Eckhart's sermons use paradox, wordplay, and imagery to engage their interpreters dialectically and bring them to the perspective Eckhart hopes to instill. This perspective centers on God's simultaneous distinction and indistinction from creatures, including the soul. Knowing God requires becoming aware of one's own contingency as a creature in time, which exists only because it receives its being from God with every moment. For Eckhart, Christian practice does not mean to achieve eternal salvation or mystical union with the divine. Rather, it confesses and proclaims the soul's recognition of its ontological dependence on God. Through close readings of four sermons, I show how Eckhart's language reveals his ontological and practical views, which in turn determine how he speaks. His sermons present complex verbal images of God, the soul, and their relationship