Abstract

Aragon lived through two wars directly, and his relationship with them was different: most of what he wrote about the First World War was written forty years later, in Le Roman inachevé, whereas the Second World War led immediately to the poems of Crève-Cœur and Les Yeux d’Elsa, and then to those of the Resistance. A different relationship to time, then. But precisely because of the upheavals it brought to both historical and everyday experience, the illusions it shattered and the heartbreak it caused, the war immediately confronted the poet with a diffraction of temporality: the time of boredom and forced inaction, time of death, setting in time of repetition, time of life slipping away. Occasionally, also, time of hope.