Márgenes silentes. Palabra excedida y silencio inspirado (Hofmannsthal/Blanchot)

Quaderns de Filosofia 3 (1):27-49 (2016)
  Copy   BIBTEX

Abstract

Against attempts to vacate silence of the possibility of expression, and empty the expression of its own silence, this article proposes as a task for our contemporary world that we should be silence-trackers. This task is not easy, since the decisive silence cannot be heard, but it is treasured within the words and works as their last and most inspired truth. To that end, it is taken as a guide the famous Letter of Lord Chandos (Hofmannsthal), who claims his silence-in-transit (exceeded by a new experience of the overwhelming richness of reality), as well as Blanchot’s reflections on the relationship between silence and inspiration. In the second part, the article “tracks”, as “exemplary” examples, the silences of A. López (Dream of Light) and the one involved in the secret of “Rosebud” (Citizen Kane, Welles).Keywords: silence, inspiration, expression, Chandos, Hofmannsthal, Blanchot.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 100,809

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2019-06-21

Downloads
9 (#1,521,725)

6 months
6 (#851,951)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

César Moreno-Márquez
Universidad de Sevilla

Citations of this work

Sample clarity: humanism and phenomenology.Ignacio Vieira - 2024 - Ideas Y Valores 73 (185):141-161.

Add more citations

References found in this work

El mono gramático.Octavio Paz & Octavio Paz Lozano - 1974 - Barcelona : Editorial Seix Barral.

Add more references