Abstract

Darko Suvin's Communism, Poetry: Communicating Vessels teases out the dialectical connection between poetry and revolution. The book is comprised of an amalgam of essays and poems that constitute a “series of epistemological probes.” In their totality, they inform as a book-length essay on the politics of form that focuses on equally revolutionary ways of knowing and being in the terrible world of the present and of anticipating what is to be done to break through the conditions of exploitation and terror and into the realm of Freedom.