Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer

[author unknown]
Journal of Aesthetics and Art Criticism 61 (3):309-311 (2003)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Other Versions

edition Gritten, Anthony (2003) "Music, tendencies, and inhibitions: Reflections on a theory of Leonard Meyer". British Journal of Aesthetics 43(2):194-196

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 100,561

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Wittgenstein, Theory and the Arts.[author unknown] - 2003 - Journal of Aesthetics and Art Criticism 61 (3):299-314.
Meyer, meaning, and music.John M. Titchener & Michael E. Broyles - 1973 - Journal of Aesthetics and Art Criticism 32 (1):17-25.
"Emotion and Meaning in Music": Leonard B. Meyer. [REVIEW]H. Osborne - 1963 - British Journal of Aesthetics 3 (1):92.
Form and theory: Meyer Schapiro's: Theory and philosophy of art.Paul Mattick - 1997 - Journal of Aesthetics and Art Criticism 55 (1):16-18.

Analytics

Added to PP
2017-02-21

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references