Abstract

Focusing on Pasolini’s written work, the article tries to bring out a kind of minor language, the embodied language of popular, archaic and peasant worlds. For if Pasolini attempts the representation of reality by reality in his films, it can also be noted that in his poems, novels and stories, he was already on the track of reality itself. Consequently, Pasolini’s love for this world predating industrial and consumer devastation is first of all a love for the languages that reveal it through a system of inter-expression, placing the bodies at the center and making the spoken language itself into an element of reality - unlike official Italian, which bears witness to the loss of reality through consumerist standardization