Abstract

In Plautus’ Mostellaria, the enslaved Tranio covers up the young Philolaches’ purchase of the meretrix Philematium’s freedom by telling Philolaches’ father Theopropides that his son blew a fortune on the house next door. Though Philematium is hidden out of sight for much of the play, her body materializes in the feminizing language through which Tranio, Theopropides, and the owner Simo describe this house. Their conversation at the threshold transforms Theopropides into the literary trope of the meretrix ’s excluded lover and calls to mind both the disempowerment of meretrices through the process of aging and the power they wield through pregnancy.