The Rhetoric of Visibility and Invisibility in Antiphon 5, On the Murder of Herodes

Classical Quarterly 66 (1):46-58 (2016)
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Abstract

Alone among surviving Athenian homicide orations, Antiphon'sOn the Murder of Herodesresembles a modern murder mystery. Antiphon's client, a Mytilenean named Euxitheus, tells a story of a stormy night, an isolated harbour, a drunken murder victim, a missing corpse, misleading bloodstains, forged documents and hints of political intrigue. And, like in any good whodunnit, Euxitheus insists that no one knows who the killer is. Although all the clues seem to point to him, he maintains that Herodes' relatives have manipulated the evidence to make him seem guilty. We do not know whether Euxitheus succeeded in convincing his jurors, but the author of theLife of Antiphonattributed to Plutarch, who says that Antiphon was ‘adept in situations with no way out’ (ἐν τοῖς ἀπόροις τεχνικός), considersOn the Murder of Herodesone of Antiphon's finest compositions (832E, 833D).

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