Abstract

From its ornamental and often bookish exterior to its use as an exegetical tool for understanding the Book of Nature, the 18th-century microscope was socialized as an instrument of letters as well as of science. This essay proposes a reading of the microscope as a literary artifact by examining its bindings, its texts and its illustrations. While the instrument promised to extend human sense perception and to give its user access to invisible worlds, it simultaneously threatened to alter received views concerning both aesthetics and social hierarchy. Nevertheless, the destabilizing effects of the microscopic message entered polite society cloaked in a veil of familiarity in the binding of a good book. The nostalgia-encrusted instrument absorbed the shock of the new.