Abstract

The crucial stake of the present paper lies in the dereification of the human being, in the abrogation of the psychological, ethical homogeneity, and the objectified sociocultural representations of the imaginary. The imaginary can be conceived not only as a term able to confirm the mental structures of the subject that constitute the identity and bounds of human thought, but also as the way in which ethical norms become manifest. Norms, which through their internalisation dictate the perception of both the self and the social. Countering the neoliberal representation of the world presupposes an erogenous discourse. The originality of Bataille is to invert the meaning of desire as lack. Far from being conceived as a sign of our finitude, it is indicative of our excess of being. The ‘secret of desire’ thus appears in the intrinsic relationship that weaves the archaic sacred between eroticism and death. Excess and anguish in front of the emptiness, allow us to escape the subject, to liberate the self from the commercialisation of our imagination. Bataille shows us how erotic desire could be fundamentally creative of social relations, as it eliminates the self-other dualism.