Abstract

This book examines Clinton's image as it was produced by visual representations in The Man from Hope, The War Room, Primary Colors, MTV's Biorhythms, and PBS' The American President. The book uses the language of postmodernism in an attempt to make a metaphysics out of what was once just plain old propaganda. The authors teach political communication at the University of Maryland. Annotation copyrighted by Book News, Inc., Portland, OR.