Truth and Genre in Pindar

Classical Quarterly 63 (1):17-36 (2013)
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Abstract

By convention epinician poetry claims to be both obligatory and truthful, yet in the intersection of obligation and truth lies a seeming paradox: the poet presents his poetry as commissioned by a patron but also claims to be unbiased enough to convey the truth. In Slater's interpretation Pindar reconciles this paradox by casting his relationship to the patron as one of guest-friendship: when he declares himself a guest-friend of the victor, he agrees to the obligation ‘a) not to be envious of hisxenosand b) to speak well of him. The argumentation is:Xeniaexcludes envy, I am axenos, therefore I am not envious and consequently praise honestly’. Slater observes that envy may foster bias against the patron, but the problem of pro-patron bias remains: does the poet's friendship with and obligation to his patron produce praise at the expense of truth?

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References found in this work

Truth, fiction, and literature: a philosophical perspective.Peter Lamarque & Stein Haugom Olsen - 1994 - New York: Oxford University Press. Edited by Stein Haugom Olsen.
Parmenides.Martin Heidegger - 1982 - Indiana University Press.
The Fragments of Parmenides.A. H. Coxon - 1988 - Phronesis 33 (1):119-119.

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