Abstract

Towards the end of Aline Medeiros Ramos’s study of John Buridan on craft as an intellectual virtue, she mentions William Ockham in passing and points towards his conception of craft. In this paper, I take up her implicit invitation to explore that conception. I begin by reconstructing Ockham’s notion of craft, and then proceed to discuss three consequences of that conception: the moral neutrality of craft, the role of deliberation in craftwork, and the epistemic status of craft and the craftworker. I conclude by summarizing a number of issues that Buridan, according to Medeiros Ramos, finds it important to discuss, and which are noticeably absent from Ockham’s considerations.