Abstract

ExcerptIn her superb book Looking Away, Rei Terada offers a sophisticated and highly complex analysis of “phenomenality and dissatisfaction” from Kant to Adorno, persuasively drawing on philosophy, psychoanalysis, and literary theory. Taking her cue from Nietzsche's suspiciously overstated rejection of metaphysics in favor of an affirmation of the world as appearance, the premise of Terada's book is that artists and thinkers have always had difficulties dealing with “the given.” Is the phenomenal world the only world? If so, does one have a right not to be satisfied with it? Is there not an objective obligation to acknowledge that facts have…