A Response to My Critics

Hume Studies 27 (1):173-179 (2001)
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Abstract

In The Passion for Happiness, I attempt to situate Johnson alongside Hume within a common Enlightenment culture and, in so doing, to give us a better idea of what that culture is, or may be said to be. I am concerned in the book to analyze what I see as their shared debts to classical eudaimonism, particularly as it is presented in the philosophical dialogues of Cicero. In this regard, my book builds upon Peter Jones’s Hume’s Sentiments: Their Ciceronian and French Contexts ; I am also deeply indebted to some recent re-interpreters of Hellenistic ethics, especially to Martha Nussbaum, Julia Annas, and Lawrence Becker. A third of my book, however, is devoted to a discussion of Johnson and Hume’s roughly parallel—and, I think, mutually illuminating—careers as political writers and commentators, including the political and moral casts of their historiographical writings. The titles of chapters 7 through 9—“The Passions and Patterns of History,” “Enthusiasm and Empire,” “Constancy”—suggest at least my hopes that The Passion for Happiness might be of some interest to intellectual and political historians.

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