Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value

Philosophia 40 (3):591-606 (2012)
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Abstract

Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while the “artistic” component relies on the specific norms constitutive of artworld institutions. Understanding artistic value in this way allows for progress on several persistent problems, including the ethical value of art, relativism in artistic value, and the proper boundaries of philosophical aesthetics.

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Henry Pratt
Marist College

Citations of this work

A Sensible Experientialism?James Grant - 2023 - Philosophy and Phenomenological Research 107 (1):53–79.
Artistic Value is Attributive Goodness.Louise Hanson - 2017 - Journal of Aesthetics and Art Criticism 75 (4):415-427.

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References found in this work

A Materialist Theory of the Mind.D. M. Armstrong - 1968 - New York: Routledge. Edited by Ted Honderich.
A Materialist Theory of the Mind.D. Armstrong - 1968 - Philosophical Quarterly 19 (74):73-79.
Ethics: Inventing Right and Wrong.Fred Feldman & J. L. Mackie - 1979 - Philosophical Review 88 (1):134.
Ontology and Social Construction.Sally Haslanger - 1995 - Philosophical Topics 23 (2):95-125.

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