Abstract

We are in Florence and Ferrara, between 1300 and 1600 A.D. At the beginning of this period the subjects of petty Italian potentates dream of a universal Empire and Church: a universal confined to the Latin world. Over the next three centuries this dream gradually fades; the idea of a universal Church is largely replaced by a discourse addressed to the individual conscience while in the political world sovereignty becomes synonymous with local power. The universal is progressively dissolved within a multiplicity of separate regimes, each rooted in its own territory; in other words, individual societies achieve spiritual legitimation by a transfer of sovereignty. Thus linked with the absolute, territorial sovereignty, rehabilitating the idea of the local, becomes the foundation of the many-sided flowering of the Renaissance. A reading of the poets is helpful in grasping the full complexity of this historical transformation. How were Dante, Petrarch and those poets who imitated the poets of Antiquity, the so-called Petrarchists, understood? This study will focus on the way in which the texts were created. By comparing them we will try to elucidate what makes for the importance and urgency of these poems.