Movement as Method: Some Existential and Epistemological Reflections on Dance in the Health Humanities

Journal of Medical Humanities 42 (1):165-178 (2021)
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Abstract

The embodied creative practice of dance facilitates a particular kind of awareness or attunement which can inform both the therapeutic and the intellectual work of the Health Humanities. This paper therefore considers dance as a way of ‘doing’ Health Humanities in two interlinked ways: dance as a way of healing and dance as a way of knowing. In bringing together carnal and the creative dimensions of human experience, dance offers us a way of making sense of our place in the world that provides us both with much needed existential security and much needed epistemological freedom.

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Citations of this work

Pain and temporality: a merleau-pontyian approach.Judith N. Wagner - 2024 - Medicine, Health Care and Philosophy 27 (3):321-331.

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References found in this work

The View From Nowhere.Thomas Nagel - 1986 - New York: Oxford University Press.
The Visible and the Invisible: Followed by Working Notes.Maurice Merleau-Ponty - 1968 - Evanston [Ill.]: Northwestern University Press. Edited by Claude Lefort.
The View from Nowhere.Thomas Nagel - 1986 - Revue de Métaphysique et de Morale 92 (2):280-281.
The Primacy of Movement.Maxine Sheets-Johnstone - 2011 - John Benjamins Publishing.

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