Portrayals of Suffering: on Looking Away, Looking at, and the Comprehension of Illness Experience

Body and Society 8 (3):1-23 (2002)
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Abstract

This article addresses the question of what it is that visual depictions of illness portray, particularly images executed by or on behalf of people who have suffered serious illness. It takes up two lines of inquiry, both to do with the work that such pictures might perform. On the one hand, as works of art, there are questions about the form of signification in visual representations of this kind. On the other, as works of illness, there are issues concerning the role of image-making for sufferers bearing witness to their situation. The article examines the issue of what it is to look at pictures of bodies scarred by treatment for serious disease, and follows this into questions about what it is possible and necessary to show in order to render illness experience tangible. By examining, as exemplars, two particular images of sufferers, it is argued that such portrayals work not just through making visible certain objects for scrutiny, but by figuratively instantiating persons so as to produce a `vision of the non-visual'. In this way picturing illness finds its place in what might be called a politics of care.

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References found in this work

The Body in Pain: The Making and Unmaking of the World.Elaine Scarry - 1985 - New York: Oxford University Press USA.
Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
Distant suffering: morality, media, and politics.Luc Boltanski - 1999 - New York, NY: Cambridge University Press.
Iconology: Image, Text, Ideology.W. J. T. Mitchell - 1987 - University of Chicago Press.
Iconology: Image, Text, Ideology.W. J. T. Mitchell - 1986 - Journal of Aesthetics and Art Criticism 45 (2):211-214.

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