Abstract

My aim in this article is to briefly reconstruct the reception of Dewey's _Art as Experience_ and more generally of his aesthetics in Italy. In order to do so, my contribution will be divided into three parts, corresponding to the three editions that Dewey's book has had in Italy. In the first part, I will trace the early influences and the debate with Benedetto Croce, showing the "idealistic encirclement" suffered by Dewey's aesthetics, which led to the first Italian translation of Dewey's book in 1951. In the second part, I will trace the influence of Dewey's aesthetics from 1951 to 2006, showing first the Marxist and Catholic critiques, then the first tentative attempts at a reinterpretation outside the idealist domain, and finally the second edition of _Art as Experience_ in Italy 1995. The third part considers the renaissance of Dewey's aesthetics in Italy after Giovanni Matteucci's new translation in 2006 and Luigi Russo's work in 2007. The article concludes with a brief consideration of Dewey's significance for the contemporary Italian aesthetic debate and an attempt to identify a specific Italian interpretation of Dewey's aesthetics that can be traced in the effort to bring Dewey into dialogue with other authors of the modern aesthetic tradition.