Abstract

The paper attempts to explore notions of public-private dichotomy with reference to collective agency and inclusion. It looks at a women’s shelter run by a missionary wife Julie Gundert of the Basel Mission in nineteenth-century Malabar. The missionaries played a key role in the introduction of printing and the development of a modern public sphere in the region: a space, nevertheless, restricted to men from the educated elite classes. Julie’s shelter, meanwhile, provides an alternate cultural space where women, especially those from the excluded communities, the disabled, the abandoned and the lowest classes and castes could come together. The shelter is seen as a location of intimate and privatised cultural contact radically different from that practised in the formal, restrictive sites of the emerging public sphere; a space where subaltern cultures challenged the status of the visible public sphere as the key platform for social-cultural inclusion and agency.