Abstract

Burke and his predecessors seem to be most before the mind of the editor in his long introduction to this standard eighteenth-century work: he traces the growth of Burke's ideas on art and compares them with contemporary investigations. The sections examining the doctrines themselves are somewhat vague, and those tracing the philosophical reaction to Burke rather too short; however the study of Burke's influence on artists is fascinating reading. The text is done with care, and the footnotes include excerpts from the reviews of the Enguiry's first edition where these seem to have guided Burke's revisions.--R. F. T.