Abstract

Environmental ethic depends on technological ethics. We must therefore think of the technique with all its virtualities and not merely as an instrument. Heidegger’s approach to technique avoids this reduction. Brought closer to the language it questions its essence. With modem technology that essence does not advance production but provocation, by which nature is ordered to deliver an energy that can be extracted for maximum utilization and lower costs. The way of producing poetry remains open yet. This article reads again this difficult text, indicates some limitations, and tries to take the better of its wealth for contemporary debate crossing environmental and technological ethics.