Euripides, Medea 1021–10801

Classical Quarterly 22 (1):51-61 (1972)
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Abstract

No speech in Attic tragedy has made a stronger impression on later generations than Medea's farewell to her children. Four changes of mind and two displays of maternal affection lay bare the depths of a tortured soul; ‘there, in a short space, arelove and hatred, firmness and hesitation, fierce joy and unfathomable sorrow’.

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On Medea's Great Monologue (E. Med. 1021–80).David Kovacs - 1986 - Classical Quarterly 36 (02):343-.

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