Heidegger and the Aesthetics of Rhetoric

Philosophy and Rhetoric 47 (2):137-157 (2014)
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Abstract

But that which remains the poets have founded.In contemporary rhetorical theory, the relationship between rhetoric and art tends to be articulated in terms of aesthetics. This increasingly popular discourse on “aesthetic rhetoric,” however, is characterized by a remarkable diversity. The rhetoric of fiction, poetry, and other literary genres, for example, has been explored in these terms (e.g., Booth 1983), as has the rhetoric of film (Haskins 2003), photography (Hariman and Lucaites 2007), and even natural landscapes (Clark 2004). From a different perspective, aesthetics has been distilled to a range of “features” or “elements” that a given text is said to possess. Nathan Crick and Jeremy Engels, for example ..

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Citations of this work

Rhetorical Trajectories from the Early Heidegger.David L. Marshall - 2017 - Philosophy and Rhetoric 50 (1):50-72.
Recognition in Blue.Maurice Charland - 2015 - Philosophy and Rhetoric 48 (4):583-600.

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References found in this work

Truth and Method.Hans-Georg Gadamer, Garrett Barden, John Cumming & David E. Linge - 1977 - International Journal for Philosophy of Religion 8 (1):67-72.
Nietzsche: Life as Literature.Alexander Nehamas - 1985 - Philosophy and Rhetoric 21 (3):240-243.
The Rhetoric of Fiction.Wayne C. Booth - 1964 - Journal of Aesthetics and Art Criticism 22 (4):487-488.

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