Abstract

In reflection concerning the study of literature, both categories, memory and forgiveness, are quite frequently contrasted. Literature, which activates memory, is perceived as a tool of settling the past. In this perspective, it takes the position opposite to that of forgiveness, which requires that 'one does not seek redress'. Using the example of the film bearing the title of The Tale, the author attempts to consider the conflict between a writer's duty to remember and the Christian appeal for forgiving. If literature is the reservoir of memory, the very act of writing is purifying, and involves leaving the limits of own existence towards another human being, namely a reader. Reaching beyond the limits of own ego is not unlike the attitude of forgiveness, which requires reaching beyond the borders of personal pain.