Abstract
Two analogies are at the foundation of editions of writings of scientists, technologists and physicians. Both are exemplified in the collection of ‘works’, texts of printed finished versions of contributions. The literary analogy is that of authorship, of the creation of a significant assemblage of words and other symbols. Assemblages of monographs and articles of a scientist are functionally no different than comparable arrays of the writings of theologians, philosophers, poets, novelists and historians