Abstract

In a satiric chapter of David Foster Wallace’s novel Infinite Jest, a mock media expert reports how American consumers of the near future recoil from a new communication device known as “videophony” and return to the voice-only telephone of the Bell Era. This article explores the said chapter in the framework of media theories reading the telephone as a “synecdoche of technology,” considering Wallace’s vision of videophony’s rise and fall in a future society from two angles: It discusses the antitechnological bent of the chapter against the background of other visions of future media in 1990s American fiction and it foregrounds the segment’s emphasis on solipsism as a destructive force in all forms of communication. The article argues that Infinite Jest moves beyond questions relevant only to the (video) telephone itself. Rather, Wallace’s novel contrasts literary communication—complex, multilayered, at times monumental—with discourses and practices overly optimistic with regard to the facility of mediated interactions per se.