Abstract

Through an analysis of particular sections in Proust's A la recherche du temps perdu and several pieces by Stein, I examine how their search for bodily presence fosters the development of new styles of writing as the perceptual responses of both authors override the function of the narrator. The dissertation analyzes Husserl's phenomenological ideas on motion and the body and how they are further developed in France by Merleau-Ponty. I then use their phenomenological research in order to expand upon notions of physicality in both literary authors. The action of the author writing, of the body "making marks" on paper, are qualities of the physicality of writing. In Proust the visceral is a key to the mnemonic: the body 'recalls' memory to us, where we then find bodily experiences---not just images of memories, but the physical feeling of what has been and what remains physical, I demonstrate how the episodes in which Proust encounters involuntary recollection are places of physical activity; some physical presence has to occur, or some physical activity must be taking place in order for memory to become present. Stein's experiments with language are renditions of how the author makes sense of her body and the world through perception. Her language actually 'stands in' for the spoken voice of a narrator who records a world in flux rather then narrating a story