Abstract

Fundamental records of Post-Husserlian Philosophy are highlighted by Sein und Zeit, Lʼêtre et le néant and the Phénoménologie de la perception, the work by Merleau-Ponty that deals with the problem of intersubjectvity, starting from a very particular concept of the body understood as «a work of art». However, the reasoning developed in his work of 1945 is about the sociopolitical dimensions of present intersubjectivity. This article carries out the analysis of later works by Merleau-Ponty, in which he studies the relationship between Perception and everyday life to continue with the consideration of the aesthetic and pictorial sphere in order to develop a theory of Vision that has to be understood as a complement to the theory of Perception. This theory would be the ground to transcend the contingency and locate the relationship present-past as the final step of the theory of Intersubjectivity