Abstract

This paper examines literary and visual evidence for women's dining posture at Rome. I distinguish actual social practice from the ideology of representation, while recognizing their interdependence. Contrary to the view that "respectable" women dined seated until the Augustan era, I argue that a women (of any status) could always dine reclining alongside a man, and that this signifies a licit sexual connection. The sitting posture, seen mostly in sub-elite visual representations, introduces further complexities of practice and ideology. In general, postures attributed to women function more as indicators of sexual mores than as direct representations of social practice.