Abstract

In this text, we propose to examine the ways in which Nancy’s thought of catastrophe, indebted to Heidegger’s questioning of ontology and its history, embarks on a reading of the contemporary world marked by the passage of the “with” (Mitdasein) from the existential plane to the plainly categorial one. Thus, the ontological constitution of the existing slides into pure juxtaposition, as this appears in his analysis of the “proliferation of ends” and their incessant transformation into means.We also dedicate our attention to the ruin, saturation and rupture of the “construction” model. It is in the infinitization of each and every action, through the unpredictable technical architecture in the base of its design, that the catastrophic penetrates the world with its constitutive multiplicity and the state of “suspension” that defines it. The life of waste in its dispersion is exemplary in this context: the catastrophe thus unfolds in lapses thrown into the environment and the psyche of the subjects, something that can be seen as the introjection of the temporality of struction.The anomie that today shelters the catastrophes that intertwine before our eyes, apparently “scandalous” in a paradigm of action, takes place in a «present that never fulfills itself as presence» (Nancy) and that finds itself in the impossibility of expressing the meaning of the world. The disorder of struction, which characterizes what some inappropriately call the Anthropocene, does not happen as a reversal or a destruction of an order, but rather as a disconnection of the imperative character of the order. From this question, a discussion opens on the meaning of the community that is on the verge of catastrophe.