Abstract

Basing on one criticism of the narrative statement by has subject - actor, Jean-Christophe Royoux sees the singularity of the aesthetic work of Pierre Huyghe in new modality of the story where there is only one anti-actor who calls to spectators-free-time workers and produces by copy out a multiplicity of possible interpretations. Free time workers in the centres of the conflict of modern subjectivity have to invent one response in the question « How to live in the public space today ?