Enjoying the Unbeautiful: From Mendelssohn's Theory of “Mixed Sentiments” to Kant's Aesthetic Judgments of Reflection

Journal of Aesthetics and Art Criticism 67 (2):181-189 (2009)
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10.1111/j.1540-6245.2009.01347.x

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Alexander Rueger
University of Alberta

Citations of this work

Moses mendelssohn.Daniel Dahlstrom - 2008 - Stanford Encyclopedia of Philosophy.

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