Abstract

This article sympathetically explores the phenomenological pragmatism of Robert E. Innis in Consciousness and the Play of Forms and Pragmatism and the Forms of Sense. Disputing both the realistic view that perception underlies semiosis and deconstructionist reversals of this, Innis claims they are inextricably interwoven. He forges an alliance between pragmatists Peirce and Dewey, and Continental phenomenologists Polanyi, Bühler, and Cassirer, a "polyphony" that also yields a richly aesthetic critique of technology. By restricting his analysis to a methodological "frame," Innis overlooks a metaphysical tension between Polanyi's realism and Cassirer's idealism, though potentially resolvable in Dewey's transactional philosophy