The Concept of the Oceanic Feeling in Artistic Creativity and in the Analysis of Visual Artworks

Journal of Aesthetic Education 49 (3):15-31 (2015)
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Abstract

In a recent study on artistic creativity, artists from several fields were interviewed regarding their subjective experiences of the creative process.1 In addition to various psychological and behavioral phenomena, the artists reported feelings of connectedness with something beyond themselves, of dissolution of personal boundaries, of absorption in the artwork, and of timelessness, awe, and joy. For the past half-century, psychoanalytical writers on art have used the concept “oceanic feeling” to designate similar experiences of oneness, limitlessness, and elation in creativity. Despite its long-term use, the concept still lacks precision—due perhaps to the elusiveness and ineffability of the very experience it..

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Jussi A. Saarinen
University of Jyväskylä

References found in this work

Aesthetic experience revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.
Aesthetic Experience Revisited.NoË Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.
Its Own Reward: A Phenomenological Study of Artistic Creativity.David Rawlings & Barnaby Nelson - 2007 - Journal of Phenomenological Psychology 38 (2):217-255.
A new psychoanalytical approach to aesthetics.Anton Ehrenzweig - 1962 - British Journal of Aesthetics 2 (4):301-317.

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