Abstract

Janine Langan's Hegel and Mallarmé represents an analysis of Stéphane Mallarmé's pervasive, if "mysterious" Hegelianism which underlies, by the French symbolist's own admission, his total work. The author attempts to demystify the Hegelian substructure in Mallarmé by a careful examination and step-by-step description of the salient Hegelian elements. The latter task is accomplished by de voting a good part of the work to Mallarmé's longest poem "Un coup de dés jamais n'abolira le hasard," which has at times been considered the "quintessence of unintelligibility," but which exemplifies a sustained, if covert, Hegelian-like structure and science-like system. Langan combines an instinct for comparative literature with an astuteness at recognizing philosophical implications to demonstrate the unmistakable affinity between the poet and the philosopher. In light of the reluctance of contemporary philosophers in general to venture into uncharted "foreign" territory of diverse disciplines, Langan's foray is particularly noteworthy.