Music and Cephalic Capability

European Journal of Pragmatism and American Philosophy 13 (1) (2021)
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Abstract

Pragmatists views, like those of John Dewey’s about music, emphasize the social nature of musical sensibility, instrumental expressions and adaptation to changing circumstances. Indeed, expectancy and violations of those expectations in music are tied to memory and human development. Cephalic (mind/brain/body) factors that underlie what we expect, and variation on the expected, inhere in musical experiences. Music is a piece of nature and is tied to movement and dance and rooted in social contact. Music of course serves many functions in our lives. From the first sounds to some of the last, human well-being and music are ripe across the life cycle of human experience.

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References found in this work

The reflex arc concept in psychology.John Dewey - 1896 - Psychological Review 3:357-370.
Structure and function of auditory cortex: music and speech.R. Zatorre - 2002 - Trends in Cognitive Sciences 6 (1):37-46.
The theory of emotion.John Dewey - 1895 - Psychological Review 2 (1):13-32.

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