Abstract

Nietzsche's early work is located in the context of the various nineteenth century attempts to found a secular religion. His own attempt, it is argued, was particularly influenced by the work of Richard Wagner and F.A. Lange. It is premised on the claim that the ordinary rational capacities of most human beings are not sufficient for them to arrive at true beliefs. Philosophers do have the required expertise, but in the absence of widespread recognition of this expertise, it can have little effect on popular belief. Nietzsche therefore seeks a means of making philosophical insight popularly effective by harnessing the non-rational, persuasive power of art. However, the project does not turn out to be well-founded; its failure seems to demonstrate that a ‘secular religion’ thus conceived cannot provide us with a coherent conception of intellectual authority