Abstract

This paper examines the phenomenological considerations which govern an important transition in the thought of Edmund Husserl, namely his gradual disenchantment with the view that acts of the imagination are given to consciousness in the manner of a semblance, and his decision to replace it with the view that they should more accurately be understood to be reproductions of non-posited perceptions. The central conclusion of this paper will be that the logic of Husserl’s own analysis points to a further phenomenological discovery that Husserl himself does not fully articulate, but which helps to explain his initial attraction toward an imagistic account of imagining. This is the finding that a structure homologous to picture-consciousness is liable to arise in the context of nested reproductions, and in particular that acts of remembering imagining bear the act-character of pictoriality.