Abstract

The phrase after Auschwitz plays a central role in Adorno's oeuvre. To him, the industrialized genocide of Jews, Sinti and Roma, and Slavic people at death camps like Auschwitz, the systematic mass killing of human beings labeled “life unworthy of life” by their murderers and the ideologues behind them, the ruthlessness and utter contempt for humanity of the Nazi German perpetrators of these unimaginable crimes, give those who live after Auschwitz certainties about the extent of human cruelty as well as human torment that undermine any trust in civilization and social progress, in traditional appeals to meaning, beauty, truth, or goodness. The clearest theoretical expression of these certainties can be found in Adorno's impossibility claims about poetry and art, about the good life, about metaphysical fundamentals. This contribution will examine these impossibility claims in order to clarify the philosophical role of Adorno's phrase after Auschwitz in his own works, but also in order to place Adorno's reflections on life and thought after Auschwitz with respect to our contemporary situation.